G major seventh chord on piano
Find the G major seventh notes, inspect their piano positions, and compare inversions with an audible reference.
Select a key to hear its pitch. Use Tab to reach keys and Enter or Space to play them.
Ready to play. Sound starts when you press Play.
Compare another chord
C Minor
C4 · E♭4 · G4
Notes and intervals
| Degree | Notes | Semitones |
|---|---|---|
| 1 | G4 | 0 |
| 3 | B4 | 4 |
| 5 | D5 | 7 |
| 7 | F♯5 | 11 |
The notes and their roles
G major seventh contains G, B, D and F♯. From the root, the semitone offsets are 0, 4, 7, 11. The degree formula 1, 3, 5, 7 describes each member relative to the root, not its order in a particular voicing.
| Note | Role | Semitones above root |
|---|---|---|
| G | Root | 0 |
| B | Major third | 4 |
| D | Perfect fifth | 7 |
| F♯ | Major seventh | 11 |
Read this shape accurately
First inspect the major-triad foundation of this seventh chord. G, B and D are white keys. F-sharp belongs to the surrounding G-major scale but not to this three-note chord; adding it would create G major seventh.
Hear the seventh
The seventh here is F♯. Keeping G · B · D fixed and changing only that note to F produces G dominant seventh. Compare both at the same octave and volume so the one-note difference stays easy to hear.
A dominant-seventh chord is a chord quality. Calling it dominant does not, by itself, establish the key or prove that this chord is functioning as V in a progression.
Choose a bass note
The root-position octave example is G4 · B4 · D5 · F♯5. Inversions put a different member in the bass while retaining G as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.
| Position | Notes from the bass | Bass |
|---|---|---|
| Root position | G · B · D · F♯ | G |
| First inversion | B · D · F♯ · G | B |
| Second inversion | D · F♯ · G · B | D |
| Third inversion | F♯ · G · B · D | F♯ |
A short listening check
Play G major seventh together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that B is the bass while G remains the root.
- Choose the displayed root and quality in the chord explorer.
- Compare root position with one inversion at the same tempo.
- Save both examples in a named practice collection, or export a reference with note names.
Sources and methods
- Introduction to seventh chords
- Enharmonic notes
- ChordLilt product contract
- Simple suspended chords