G dominant seventh chord on piano

Find the G dominant seventh notes, inspect their piano positions, and compare inversions with an audible reference.

Interactive piano keyboardSelected notes: G4 · B4 · D5 · F5. Gold marks the root when one is known.C4D4E4F4G4A4B4C5D5E5F5C♯4D♯4F♯4G♯4A♯4C♯5D♯5
Root noteSelected tone

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Compare another chord

C Minor

C4 · E♭4 · G4

Notes and intervals

DegreeNotesSemitones
1G40
3B44
5D57
♭7F510

The notes and their roles

G dominant seventh contains G, B, D and F. From the root, the semitone offsets are 0, 4, 7, 10. The degree formula 1, 3, 5, ♭7 describes each member relative to the root, not its order in a particular voicing.

NoteRoleSemitones above root
GRoot0
BMajor third4
DPerfect fifth7
FMinor seventh10

Read this shape accurately

First inspect the major-triad foundation of this seventh chord. G, B and D are white keys. F-sharp belongs to the surrounding G-major scale but not to this three-note chord; adding it would create G major seventh.

Hear the seventh

The seventh here is F. Keeping G · B · D fixed and changing only that note to F♯ produces G major seventh. Compare both at the same octave and volume so the one-note difference stays easy to hear.

A dominant-seventh chord is a chord quality. Calling it dominant does not, by itself, establish the key or prove that this chord is functioning as V in a progression.

Choose a bass note

The root-position octave example is G4 · B4 · D5 · F5. Inversions put a different member in the bass while retaining G as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.

PositionNotes from the bassBass
Root positionG · B · D · FG
First inversionB · D · F · GB
Second inversionD · F · G · BD
Third inversionF · G · B · DF

A short listening check

Play G dominant seventh together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that B is the bass while G remains the root.

  1. Choose the displayed root and quality in the chord explorer.
  2. Compare root position with one inversion at the same tempo.
  3. Save both examples in a named practice collection, or export a reference with note names.

Sources and methods