F dominant seventh chord on piano

Find the F dominant seventh notes, inspect their piano positions, and compare inversions with an audible reference.

Interactive piano keyboardSelected notes: F4 · A4 · C5 · E♭5. Gold marks the root when one is known.C4D4E4F4G4A4B4C5D5E5C♯4D♯4F♯4G♯4A♯4C♯5E♭5
Root noteSelected tone

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Compare another chord

C Minor

C4 · E♭4 · G4

Notes and intervals

DegreeNotesSemitones
1F40
3A44
5C57
♭7E♭510

The notes and their roles

F dominant seventh contains F, A, C and E♭. From the root, the semitone offsets are 0, 4, 7, 10. The degree formula 1, 3, 5, ♭7 describes each member relative to the root, not its order in a particular voicing.

NoteRoleSemitones above root
FRoot0
AMajor third4
CPerfect fifth7
E♭Minor seventh10

Read this shape accurately

First inspect the major-triad foundation of this seventh chord. The triad itself uses only white keys: F, A and C. The B-flat in the F-major key signature is not a chord tone here; a key signature does not mean every accidental appears in every chord.

Hear the seventh

The seventh here is E♭. Keeping F · A · C fixed and changing only that note to E produces F major seventh. Compare both at the same octave and volume so the one-note difference stays easy to hear.

A dominant-seventh chord is a chord quality. Calling it dominant does not, by itself, establish the key or prove that this chord is functioning as V in a progression.

Choose a bass note

The root-position octave example is F4 · A4 · C5 · E♭5. Inversions put a different member in the bass while retaining F as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.

PositionNotes from the bassBass
Root positionF · A · C · E♭F
First inversionA · C · E♭ · FA
Second inversionC · E♭ · F · AC
Third inversionE♭ · F · A · CE♭

A short listening check

Play F dominant seventh together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that A is the bass while F remains the root.

  1. Choose the displayed root and quality in the chord explorer.
  2. Compare root position with one inversion at the same tempo.
  3. Save both examples in a named practice collection, or export a reference with note names.

Sources and methods