E♭ major chord on piano
Find the E♭ major notes, inspect their piano positions, and compare inversions with an audible reference.
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Compare another chord
C Minor
C4 · E♭4 · G4
Notes and intervals
| Degree | Notes | Semitones |
|---|---|---|
| 1 | E♭4 | 0 |
| 3 | G4 | 4 |
| 5 | B♭4 | 7 |
The notes and their roles
E♭ major contains E♭, G and B♭. From the root, the semitone offsets are 0, 4, 7. The degree formula 1, 3, 5 describes each member relative to the root, not its order in a particular voicing.
| Note | Role | Semitones above root |
|---|---|---|
| E♭ | Root | 0 |
| G | Major third | 4 |
| B♭ | Perfect fifth | 7 |
Read this shape accurately
E-flat and B-flat frame the natural G. The third uses the letter G, so an F-double-sharp spelling would hide the chord’s alternating E–G–B letters.
Change only the third
Hold E♭ and B♭ steady. Lower G by one semitone to G♭ and the quality changes to minor. The root and perfect fifth do not change. This isolates the interval that distinguishes the two triads.
Choose a bass note
The root-position octave example is E♭4 · G4 · B♭4. Inversions put a different member in the bass while retaining E♭ as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.
| Position | Notes from the bass | Bass |
|---|---|---|
| Root position | E♭ · G · B♭ | E♭ |
| First inversion | G · B♭ · E♭ | G |
| Second inversion | B♭ · E♭ · G | B♭ |
A short listening check
Play E♭ major together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that G is the bass while E♭ remains the root.
- Choose the displayed root and quality in the chord explorer.
- Compare root position with one inversion at the same tempo.
- Save both examples in a named practice collection, or export a reference with note names.
Sources and methods
- Open Music Theory: Triads
- Enharmonic notes
- ChordLilt product contract
- Inverted triads