D major seventh chord on piano
Find the D major seventh notes, inspect their piano positions, and compare inversions with an audible reference.
Select a key to hear its pitch. Use Tab to reach keys and Enter or Space to play them.
Ready to play. Sound starts when you press Play.
Compare another chord
C Minor
C4 · E♭4 · G4
Notes and intervals
| Degree | Notes | Semitones |
|---|---|---|
| 1 | D4 | 0 |
| 3 | F♯4 | 4 |
| 5 | A4 | 7 |
| 7 | C♯5 | 11 |
The notes and their roles
D major seventh contains D, F♯, A and C♯. From the root, the semitone offsets are 0, 4, 7, 11. The degree formula 1, 3, 5, 7 describes each member relative to the root, not its order in a particular voicing.
| Note | Role | Semitones above root |
|---|---|---|
| D | Root | 0 |
| F♯ | Major third | 4 |
| A | Perfect fifth | 7 |
| C♯ | Major seventh | 11 |
Read this shape accurately
First inspect the major-triad foundation of this seventh chord. F-sharp is the defining middle note of this chord. Leaving it as F natural changes D major to D minor; A remains the fifth in both.
Hear the seventh
The seventh here is C♯. Keeping D · F♯ · A fixed and changing only that note to C produces D dominant seventh. Compare both at the same octave and volume so the one-note difference stays easy to hear.
A dominant-seventh chord is a chord quality. Calling it dominant does not, by itself, establish the key or prove that this chord is functioning as V in a progression.
Choose a bass note
The root-position octave example is D4 · F♯4 · A4 · C♯5. Inversions put a different member in the bass while retaining D as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.
| Position | Notes from the bass | Bass |
|---|---|---|
| Root position | D · F♯ · A · C♯ | D |
| First inversion | F♯ · A · C♯ · D | F♯ |
| Second inversion | A · C♯ · D · F♯ | A |
| Third inversion | C♯ · D · F♯ · A | C♯ |
A short listening check
Play D major seventh together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that F♯ is the bass while D remains the root.
- Choose the displayed root and quality in the chord explorer.
- Compare root position with one inversion at the same tempo.
- Save both examples in a named practice collection, or export a reference with note names.
Sources and methods
- Introduction to seventh chords
- Enharmonic notes
- ChordLilt product contract
- Simple suspended chords