B♭ major seventh chord on piano

Find the B♭ major seventh notes, inspect their piano positions, and compare inversions with an audible reference.

Interactive piano keyboardSelected notes: B♭4 · D5 · F5 · A5. Gold marks the root when one is known.C4D4E4F4G4A4B4C5D5E5F5G5A5C♯4D♯4F♯4G♯4B♭4C♯5D♯5F♯5G♯5
Root noteSelected tone

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Compare another chord

C Minor

C4 · E♭4 · G4

Notes and intervals

DegreeNotesSemitones
1B♭40
3D54
5F57
7A511

The notes and their roles

B♭ major seventh contains B♭, D, F and A. From the root, the semitone offsets are 0, 4, 7, 11. The degree formula 1, 3, 5, 7 describes each member relative to the root, not its order in a particular voicing.

NoteRoleSemitones above root
B♭Root0
DMajor third4
FPerfect fifth7
AMajor seventh11

Read this shape accurately

First inspect the major-triad foundation of this seventh chord. B-flat is followed by the natural notes D and F. The chord does not include E-flat even though E-flat appears in the B-flat-major key signature.

Hear the seventh

The seventh here is A. Keeping B♭ · D · F fixed and changing only that note to A♭ produces B♭ dominant seventh. Compare both at the same octave and volume so the one-note difference stays easy to hear.

A dominant-seventh chord is a chord quality. Calling it dominant does not, by itself, establish the key or prove that this chord is functioning as V in a progression.

Choose a bass note

The root-position octave example is B♭4 · D5 · F5 · A5. Inversions put a different member in the bass while retaining B♭ as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.

PositionNotes from the bassBass
Root positionB♭ · D · F · AB♭
First inversionD · F · A · B♭D
Second inversionF · A · B♭ · DF
Third inversionA · B♭ · D · FA

A short listening check

Play B♭ major seventh together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that D is the bass while B♭ remains the root.

  1. Choose the displayed root and quality in the chord explorer.
  2. Compare root position with one inversion at the same tempo.
  3. Save both examples in a named practice collection, or export a reference with note names.

Sources and methods