A major chord on piano
Find the A major notes, inspect their piano positions, and compare inversions with an audible reference.
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C Minor
C4 · E♭4 · G4
Notes and intervals
| Degree | Notes | Semitones |
|---|---|---|
| 1 | A4 | 0 |
| 3 | C♯5 | 4 |
| 5 | E5 | 7 |
The notes and their roles
A major contains A, C♯ and E. From the root, the semitone offsets are 0, 4, 7. The degree formula 1, 3, 5 describes each member relative to the root, not its order in a particular voicing.
| Note | Role | Semitones above root |
|---|---|---|
| A | Root | 0 |
| C♯ | Major third | 4 |
| E | Perfect fifth | 7 |
Read this shape accurately
C-sharp supplies the major third above A. Compare the compact A–C-sharp–E shape with C-sharp–E–A to hear the third become the bass without changing the chord quality.
Change only the third
Hold A and E steady. Lower C♯ by one semitone to C and the quality changes to minor. The root and perfect fifth do not change. This isolates the interval that distinguishes the two triads.
Choose a bass note
The root-position octave example is A4 · C♯5 · E5. Inversions put a different member in the bass while retaining A as the root. The table gives pitch-class order; move the leading notes up an octave as needed to keep each example ascending.
| Position | Notes from the bass | Bass |
|---|---|---|
| Root position | A · C♯ · E | A |
| First inversion | C♯ · E · A | C♯ |
| Second inversion | E · A · C♯ | E |
A short listening check
Play A major together, then as separate notes. Name the major third before looking at the display. Repeat in first inversion and check that C♯ is the bass while A remains the root.
- Choose the displayed root and quality in the chord explorer.
- Compare root position with one inversion at the same tempo.
- Save both examples in a named practice collection, or export a reference with note names.
Sources and methods
- Open Music Theory: Triads
- Enharmonic notes
- ChordLilt product contract
- Inverted triads