Chords in F♯ major

Find all seven triads and seventh chords in F♯ major, then hear how they work in a short progression.

Chords in F♯ Major

DegreeChordNotesQuality
IF♯F♯ · A♯ · C♯Major
iiG♯mG♯ · B · D♯Minor
iiiA♯mA♯ · C♯ · E♯Minor
IVBB · D♯ · F♯Major
VC♯C♯ · E♯ · G♯Major
viD♯mD♯ · F♯ · A♯Minor
vii°E♯dimE♯ · G♯ · BDiminished

Stack every other note of the scale. The pattern of thirds determines each chord quality.

I–IV–V–I progression

F♯BC♯F♯

Sevenths

DegreeChordNotes
Imaj7F♯maj7F♯ · A♯ · C♯ · E♯
ii7G♯m7G♯ · B · D♯ · F♯
iii7A♯m7A♯ · C♯ · E♯ · G♯
IVmaj7Bmaj7B · D♯ · F♯ · A♯
V7C♯7C♯ · E♯ · G♯ · B
vi7D♯m7D♯ · F♯ · A♯ · C♯
viiø7E♯m7♭5E♯ · G♯ · B · D♯

Ready to play. Sound starts when you press Play.

Start with the scale

The F♯-major collection is F♯ · G♯ · A♯ · B · C♯ · D♯ · E♯, with 6 sharps in its signature. Build a chord on each scale note by taking every other note, wrapping around the scale as needed.

All letters except B are sharp. E-sharp is the seventh degree, even though it sounds on the F key; this spelling keeps each letter exactly once before the octave.

The seven diatonic triads

The sequence is F♯, G♯m, A♯m, B, C♯, D♯m, E♯dim. Capital Roman numerals mark major triads; lowercase numerals mark minor triads, and the small circle marks the diminished triad.

DegreeChordNotes
IF♯F♯ · A♯ · C♯
iiG♯mG♯ · B · D♯
iiiA♯mA♯ · C♯ · E♯
IVBB · D♯ · F♯
VC♯C♯ · E♯ · G♯
viD♯mD♯ · F♯ · A♯
vii°E♯dimE♯ · G♯ · B

Add one more scale third

Continuing the same stacking process produces the seven chords below. The V7 chord is C♯7, containing C♯ · E♯ · G♯ · B. Its seventh is taken from this scale, not added by assuming every seventh is major.

DegreeSeventh chordNotes
Imaj7F♯maj7F♯ · A♯ · C♯ · E♯
ii7G♯m7G♯ · B · D♯ · F♯
iii7A♯m7A♯ · C♯ · E♯ · G♯
IVmaj7Bmaj7B · D♯ · F♯ · A♯
V7C♯7C♯ · E♯ · G♯ · B
vi7D♯m7D♯ · F♯ · A♯ · C♯
viiø7E♯m7♭5E♯ · G♯ · B · D♯

Hear an original I–IV–V–I example

Arrange F♯ → B → C♯ → F♯. Play each chord for the same number of beats. The return to F♯ gives you a simple way to compare the other chords against the tonic. This is a short constructed exercise, not a transcription of a song.

Then replace the V triad with C♯7. Listen separately to E♯, the leading tone of the key, moving to F♯, and B moving down to A♯. These small motions are useful comparisons, not a rule that every voicing must use exactly this spacing.

A key is larger than this list

D♯ natural minor shares the signature but has a different tonic. Music in F♯ major may also use chromatic or borrowed chords, so a chord outside the table does not automatically establish a new key. This page names the chords derived strictly from the displayed major scale.

Sources and methods