Chords in F♯ major
Find all seven triads and seventh chords in F♯ major, then hear how they work in a short progression.
Chords in F♯ Major
| Degree | Chord | Notes | Quality |
|---|---|---|---|
| I | F♯ | F♯ · A♯ · C♯ | Major |
| ii | G♯m | G♯ · B · D♯ | Minor |
| iii | A♯m | A♯ · C♯ · E♯ | Minor |
| IV | B | B · D♯ · F♯ | Major |
| V | C♯ | C♯ · E♯ · G♯ | Major |
| vi | D♯m | D♯ · F♯ · A♯ | Minor |
| vii° | E♯dim | E♯ · G♯ · B | Diminished |
Stack every other note of the scale. The pattern of thirds determines each chord quality.
I–IV–V–I progression
Sevenths
| Degree | Chord | Notes |
|---|---|---|
| Imaj7 | F♯maj7 | F♯ · A♯ · C♯ · E♯ |
| ii7 | G♯m7 | G♯ · B · D♯ · F♯ |
| iii7 | A♯m7 | A♯ · C♯ · E♯ · G♯ |
| IVmaj7 | Bmaj7 | B · D♯ · F♯ · A♯ |
| V7 | C♯7 | C♯ · E♯ · G♯ · B |
| vi7 | D♯m7 | D♯ · F♯ · A♯ · C♯ |
| viiø7 | E♯m7♭5 | E♯ · G♯ · B · D♯ |
Ready to play. Sound starts when you press Play.
Start with the scale
The F♯-major collection is F♯ · G♯ · A♯ · B · C♯ · D♯ · E♯, with 6 sharps in its signature. Build a chord on each scale note by taking every other note, wrapping around the scale as needed.
All letters except B are sharp. E-sharp is the seventh degree, even though it sounds on the F key; this spelling keeps each letter exactly once before the octave.
The seven diatonic triads
The sequence is F♯, G♯m, A♯m, B, C♯, D♯m, E♯dim. Capital Roman numerals mark major triads; lowercase numerals mark minor triads, and the small circle marks the diminished triad.
| Degree | Chord | Notes |
|---|---|---|
| I | F♯ | F♯ · A♯ · C♯ |
| ii | G♯m | G♯ · B · D♯ |
| iii | A♯m | A♯ · C♯ · E♯ |
| IV | B | B · D♯ · F♯ |
| V | C♯ | C♯ · E♯ · G♯ |
| vi | D♯m | D♯ · F♯ · A♯ |
| vii° | E♯dim | E♯ · G♯ · B |
Add one more scale third
Continuing the same stacking process produces the seven chords below. The V7 chord is C♯7, containing C♯ · E♯ · G♯ · B. Its seventh is taken from this scale, not added by assuming every seventh is major.
| Degree | Seventh chord | Notes |
|---|---|---|
| Imaj7 | F♯maj7 | F♯ · A♯ · C♯ · E♯ |
| ii7 | G♯m7 | G♯ · B · D♯ · F♯ |
| iii7 | A♯m7 | A♯ · C♯ · E♯ · G♯ |
| IVmaj7 | Bmaj7 | B · D♯ · F♯ · A♯ |
| V7 | C♯7 | C♯ · E♯ · G♯ · B |
| vi7 | D♯m7 | D♯ · F♯ · A♯ · C♯ |
| viiø7 | E♯m7♭5 | E♯ · G♯ · B · D♯ |
Hear an original I–IV–V–I example
Arrange F♯ → B → C♯ → F♯. Play each chord for the same number of beats. The return to F♯ gives you a simple way to compare the other chords against the tonic. This is a short constructed exercise, not a transcription of a song.
Then replace the V triad with C♯7. Listen separately to E♯, the leading tone of the key, moving to F♯, and B moving down to A♯. These small motions are useful comparisons, not a rule that every voicing must use exactly this spacing.
A key is larger than this list
D♯ natural minor shares the signature but has a different tonic. Music in F♯ major may also use chromatic or borrowed chords, so a chord outside the table does not automatically establish a new key. This page names the chords derived strictly from the displayed major scale.
Sources and methods
- Diatonic chords in major
- Major key signatures
- ChordLilt product contract
- Roman numerals of diatonic seventh chords